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ABRAHAM ALEXANDER:
BUILDING BRIDGES

FROM GREECE TO TEXAS, BLENDING CULTURES & GENRES IN THE LONE STAR STATE

By Andrew Paine Bradbury
Photography by Rambo

ABRAHAM ALEXANDER AT HIS FAMILY’S RANCH IN TEXAS.

Driving from Fort Worth to Dallas, singer/guitarist Abraham Alexander sounds every bit like the laid-back Texan you’d expect, though his origins are a bit more exotic.

“I was born in Athens, Greece,” he says, “but I didn’t have an identity in Europe because I don’t look like a typical Greek person. My parents were immigrants from Nigeria, but I wasn’t essentially close to that culture. So, I was in this limbo. But Texas truly gave me a space to discover myself. I owe a lot to Texas.”

He’s giving back by adding to the state’s rich musical legacy. And it all kind of happened by accident.

Alexander played soccer at Texas Wesleyan until an ACL injury closed the door on his athletic career. His window to music opened when his ex-girlfriend dropped off a guitar for him to pass the time. Like many self-taught guitarists, he developed a style all his own, taking elements of blues, soul, and folk and phasing them through the lens of hip-hop and modern R&B. He cites a high school bus trip hearing Kanye West’s Late Registration as his first musical influence and being struck by the blend of old R&B and new sounds. “And then when I started playing guitar,” he says, “and seeing YouTube videos of Gary Clark Jr. playing blues in such a fresh way…I became a student.”

ABRAHAM ALEXANDER WEARS THE STETSON OPEN ROAD ROYAL DELUXE IN COGNAC.

“Between cultures, races, and musical styles, I want my life to be a bridge.”

ABRAHAM ALEXANDER WEARS THE STETSON SHASTA 10X IN SILVERBELLY.

A chance meeting with Leon Bridges’ producers led to him singing harmonies on Bridges’ soul banger “Coming Home,” which led to a tight friendship between the two. Since then, Alexander has released his EP, has a debut LP on the way, and has collected rock-and-roll passport stamps performing and recording at legendary spots like Red Rocks, the Ryman Auditorium, and Abbey Road Studios. All while looking, and this is being objective here, incredibly stylish. But like with most things about Alexander, there’s much more to his style below the surface.

“As a way to bypass racism and prejudice, my parents always dressed us very well from a young age,” he says. “So that was always on my mind, that I was sharp and presentable.” Like in his music, his looks combine vintage and contemporary elements…and he’s always on the lookout for a statement piece. “One of the best ways I can do that is with a hat. And when I think about the history and culture of hats for African-Americans and what that meant for Black people trying to present themselves…for them wearing a hat was heavy. Really heavy. And I know there were people in front of me who opened the door, and I want to honor that,” he says, “and open the door for the person behind me.”

Still relatively new in his career, Alexander is still amazed to see fans connect to his music, but he knows it’s exactly what he wants to be doing. “Between cultures, races, and musical styles, I want my life to be a bridge,” he says.

Catch Abraham Alexander on the road with Ani DiFranco this summer and follow him on Instagram and Spotify.

Andrew Paine Bradbury is a writer and musician based in New York City.